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Petya Stoykova Dubarova () (April 25, 1962 – December 4, 1979) was a Bulgarians poet.
She studied at an English high school in Burgas (named after poet Geo Milev). There, Petya read her work to her classmates multiple times. Although she earned fame at a very young age, which defines her as "the youngest of the big Bulgarian artists", she did not have friends. She was described as a studious student, talkative, and smiled a lot.
In 1978, she participated in the film Trampa (The Swap) by Georgi Djulgerov. During the shooting of the film in Samokov, at night, in the disco in the resort Borovets, Petya met a Swedish man named Per, whom she fell in love with. He remained her first and only love. In her diary, she describes him as „далечния, светлия, чаровния, нежния“ (the distant one, the bright one, the charming one and the gentle one). They corresponded through letters for a period, but he would abruptly stop writing to her, which had deeply upset Dubarova.
It is evidenced from her diary entries during her last year of life that Dubarova's thoughts were consumed by despair and a sense of disappointment in humanity.
She keeps her diary updated most of the time. It reflects her emotions and feelings. It is like a friend that she never had. The diary is just a listener of all her desires, memories, confessions and struggles. Most normal, some unordinary and very deep.
''"The human is a negligible thing! Negligible! It wanders all its life, fights, creates something, but in the frames of its own human existence - it can't go over it. Look, if every human was a sun, a planet..."' (9 October 1978)
The last but one writing is from the 7th of September 1979. Then, Petya writes a confession:
"The most paradoxical in me is that suffering makes me happy. There is something great in suffering, something raising... How I imagine suffering - neon light, two unusually beautiful eyes, sadly calm, not staring anywhere, some kindness, prayer, dedication in them, from the neon they look black, but maybe they are brown, blue - no! A sad agreement, not reconciliation, but a sad agreement with everything they've lived through! And two hands, naked to their elbows, tightly hold a tall glass of beer. This is suffering. I have seen suffering. It was so close to me - on the table next to me. And how I had wished for it!"
"I don't know why, but I'd always been immensely happy. I despise those who need a certain cause to be happy - or to fall in love, or to achieve something. Sometimes my happiness was so painful, I've barely fought with it, to survive, not to get exhausted of its maddening power."
"I don't want to live blindly...Everything is so cursed, somewhere on the inside, from the depths of life, it smells rotten. But I want to believe there are worthy people, people pure and irreplaceable. If there really are, they must be unhappy..."
" Измамена (Deceived)
Младост (Youth)
Прошка (Forgiveness)
Сън (Sleep)
Спомен (Memory)
Зад стените на голямата къща (Behind the walls of the big house)
ТАЙНА (SECRET)"
According to her English teacher, the day after her funeral, Petya's school woke up to walls covered in graffiti such as "Mamka vi!" (F*ck you/Motherf*ckers!) and "Teachers murderers!" (near the teachers' room). The local poet Veselin Andreev partially accuses the teachers as well, by quoting Dubarova's mother's words at the funeral: "They killed my child!".
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